‘Gazza in Italy’ by Daniel Storey (2018)

I’m not sure if this qualifies as a book as it is incredibly short at only 83 pages – the perils of buying an eBook and not checking how long it is in advance.

Gazza in Italy tells the story of England footballer’s Paul Gascoigne’s three-year spell at Italian club Lazio during the peak of Serie A’s reign as the best league in the world.  Gazza was young and relatively fresh from his famous tears at World Cup semi-final in Italia ’90 when Lazio began to show an interest.  The Italian club were flush with cash and seeking to build a Scuddetto winning team around the mercurial Geordie.

The move was delayed due injury but Lazio stayed committed  and Gazza eventually rocked up in Rome.  Storey recounts the highs and lows of Gazza’s time there – from brilliant goals to injury worries, from adoration from the fans to vilification in the media.  At its heart, Storey is trying to square the circle – why is Gazza seen as having failed in Italy but still absolutely adored by Lazio fans 20 years on.  It is a combination of individual

The most nostalgic part of the book for me was the background in how Channel 4 came to show live Serie A and Gazzetta Football Italia –  my absolute favourite tv show as a kid.  Storey poses the interesting theory that the coverage of Serie A in England helped shape the Premiership by exposing the British game to Italian football on a much more regular basis.  However, Storey also appears to use the arrival of Arsene Wenger as the turning point for the Premiership modernising which is probably giving the Frenchman a little too much credit!

Storey also questions whether the move was right for Gazza given his addiction issues.  The great ‘what if’ of Gazza’s career has always been whether there was an alternative path that he could have taken that would have seen him stay on top of his demons.  Given the nature of his addictions it does seem unlikely, but, as Storey sets out, being away from home and highly scrutinised by an invasive media certainly couldn’t have helped.

Storey read widely for the story and the bibliography would be a great starting point for a PhD in Gazzamania.  However, there don’t seem to be any original interviews of the kind that would help the book standout .  I appreciate it’s a very short book that maybe wouldn’t justify the expense – but it makes the €5 price a bit steep for such a quick read.  (I feel a bit bad complaining about price when authors struggle to make money but it would be remiss not to mention it my enjoyment was diminished by feeling I didn’t get a lot of book for my buck).

Overall, an enjoyable and insightful, if very short read.  Interestingly it was originally launched as an audiobook only – narrated by the brilliant James Richardson who hosted Gazzetta Football Italia.

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‘The Miracle of Castel di Sangro’ by Joe McGinniss (2000)

(This review is a bit spoilery so avoid if you are sensitive to such things – even for non-fiction books).

When asked to name my favourite football book, I immediately jump to 4 or 5 books I read in my late teens or early twenties – Football Against the Enemy, The Hand of God, Brillant Orange, Morbo, or The Miracle of Castel di Sangro.  These were among the books that opened my eyes to the joys of great sports-writing that went beyond players autobiographies and told you as much about a time or a place as they did about the sport/player.

I first read The Miracle of Castel di Sangro in 2002 in the booze filled summer between finishing school and starting university.  I was totally captivated by the story and devoured the book, reading it twice within a couple of weeks and recommending it to everyone I could think of.  I’ve hesitated to reread it in recent years due to a nagging fear that maybe, just maybe, it wouldn’t live up to my memory.

Re-reading it now, 16 years later, I still found the story as wonderful, absurd and brilliant but found myself disliking McGinniss, the author and narrator, who sets himself right at the centre of the story.

The Miracle of Castel di Sangro tells of the story of the 1996/97 Serie B campaign of tiny Castel Di Sangro after they had achieved an unexpected promotion (the ‘Miracle’) to the second division in Italian football.  McGinniss, a successful American writer in his 50’s, spends the season with the team sharing their meals, the dressing room and eventually their secrets.   McGinniss was a recent convert to football (soccer) having fallen in love with the game during USA ’94 and developing an obsession with the Divine Ponytail Roberto Baggio.  He also goes to great lengths to highlight his lack of Italian, while it was seemingly of a high enough standard that he was reading Italian newspapers from the very beginning.

Castel di Sangro is a tiny town in the Abruzzo region with a population of just 5,000 people among whom reside all of the traditional Italian stereotypes – the shady businessman, the playboys, the matronly restaurant owner etc.

The story that unfolds over the season is truly remarkable – deaths, arrests, drug scandals, corruption and all the more usual drama that football brings.  McGinniss really draws the reader in and creates a clear portrait of the players, the manager and the rest of the supporting cast.  He also captures well the frustration of the fanatic – each game feeling like life or death, the entire mood of a week being set by what happens over 90 minutes.

Eventually however McGinniss began to irritate me – his tactical analysis and player evaluations would be a lot more convincing had he been watching football for more than two years.  While he makes fun of his own attempts to influence team selection, he seems to still believe he knew better than the manager.  In many ways he plays up to the boorish American stereotype – throwing tantrums at the club officials and the manager and picking fights with the local mafia boss (we assume) for no apparent reason.

Ultimately the book runs into the issue of what obligation McGinniss has to tell the whole truth or whether he should keep certain things he sees out of the book.  When I first read the book, I shared McGinniss’s outrage at certain events but reading now in my mid-30’s with a bit more life experience, I found McGinniss to ultimately be disloyal and duplicitous.   If this had been an objective chronicle of the season, I would understand the obligation to expose everything he saw but that isn’t what this book was.  McGinniss became a central part of the story, turning players into close friends and being their confidant – trying to do both things at once leaves a sour taste.

Even with his choice to expose certain things at the end of the book, McGinniss does so in a self-centred and frankly childish manner.  He acts as the victim of some grand injustice when someone with a bit more empathy would clearly have focussed on the impact on the players and the town of living in the shadow of corruption.  Rather than look to explain things he doesn’t like, McGinniss acts like a spoiled child.

The ending is more McGinniss-centric than you would expect from a sports story, and in some ways explains why so much of the book centres on the author.  But it doesn’t justify the excessive indulgence of McGinniss focusing so much of the narrative on himself and not on the team.

Despite that serious flaw, I still love the book.  It’s a brilliant story and written in a gripping and engaging manner.  McGinniss is a quality writer and uou get caught up in his passion and develop a real affection for the players and the town.  It’s deservedly a classic but rereading it now I can’t help but feel there was an even better version that sadly ended up buried under the author’s ego.

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