- Book – ‘Not a Game: The Incredible Rise and Unthinkable Fall of Allen Iverson’ by Kent Babb (2015)
- Documentary – ‘Iverson’ directed by Zatella Beatty (2014)
- Documentary – ‘No Crossover: The Trial of Allen Iverson’ directed by Steve James (2010)
Allen Iverson is the smallest player in history to be the NBA’s MVP – the best player in the league over an entire season. He is also a former Rookie of the year, no. 1 draft pick, an 11 time All-Star, 4 time top point scorer and 3 time steals leader among countless other accolades.
His cultural impact is arguably even greater than his on-court achievements. He was an icon for millions of young men, especially African Americans, for his refusal to compromise his image and ‘tone down’ his own personal style. His hairstyle and fashion choices were constantly scrutinised and his shoe line for Reebok is the no.2 all time best seller behind only Jordan’s Nike range.
Iverson’s story is easiest understood in three parts – his early years, his basketball career, and now his post basketball life.
The early years are covered in Not a Game and in both documentaries. Iverson was nationally famous even before he played college basketball. Despite being only 6ft tall, as a sophomore he was the number 1 ranked high school basketball player in the US. He may also have been even better as a football player (covered in this fascinating VICE article).
He was catapulted to national attention however when he was tried, and ultimately convicted, for his part in a brawl at a bowling alley that left a number of people injured. The trial, conviction and frankly ridiculous 5 year sentence handed down to Iverson and his co-defendants was a huge story and an event that exposed damaging racial tensions in his community.
Kent Babb’s excellent book Not a Game focuses heavily on both the rise and fall of Iverson with chapters alternating between his early years in Virginia and his fall towards divorce and bankruptcy one his playing career ended. Babb extensively covers his difficult childhood, his phenomenal talents and of course, the trial which nearly ruined his career before it began.
As the subtitle suggests, No Crossover focuses heavily on the trial and the circumstances surrounding it. The central theme of the film is the role that race played in both the outcome and the perception of Iverson’s trial. Director Steve James grew up in the area and uses that local knowledge, and his late father’s contacts, to get people to open up on an issue many may have preferred to stay silent on. It’s a fascinating study on the difficult race relations in the community and America more generally.
Iverson covers similar ground to the other two in terms of Allen’s early years. It’s noticeably very positive about the influence of Gary Moore, Iverson’s long time mentor and manager. It must be noted that Moore is an executive producer of the documentary and Not a Game paints an arguably more objective view noting that Moore has benefited hugely financially from Iverson and that some of his advice to Iverson has been questionable at best.
Both films and the book cover similar ground in showing how Iverson, with the support of family and one incredibly kind-hardhearted teacher (who is strangely not mentioned in Iverson), put his time in prison behind him and became a basketball superstar first at Georgetown and then in the NBA.
Iverson’s actual basketball career is touched on fairly lightly in both the book and No Crossover. Here Iverson is excellent as it includes brilliant footage of Allen using his remarkable incredible athletic gifts.
Not a Game however paints a picture of a player who was a nightmare for his coaches off the court despite being so effective every time he played. Iverson’s relationship with his 76ers coach Larry Brown is a fascinating central thread running through the book. Despite constant clashes, Brown clearly has a huge amount of fondness for Iverson as he continuously tried to help him later in his career both in finding a team and in making the US Olympic team.
No Crossover ends in 2009 as Iverson’s career is winding down. It touches on criticism of Iverson for his lack of involvement in his hometown while recognising the obvious reasons he feel less than positive about returning. I don’t think the director could have predicted how bleak the following few years would be for Iverson.
The grimness of Iverson’s post career life is however a key focus of Not a Game and the weakest part of Iverson. In that film, and related media coverage of its release, Iverson addressed long-discussed rumours of financial struggles, denying any notion that he was struggling. “That’s a myth. That’s a rumor… The fact that I’m struggling in any part of my life”, he said.
With access to extensive court records generated by Iverson’s divorce, Babb paints a much bleaker, and likely more accurate, picture of a former superstar unable to adjust to a more modest (yet still substantial) income, and the fact that he was no longer considered good enough to merit an NBA contract (especially with the baggage he brought).
The book and films complement each other well. Not a Game is an impeccably researched, excellently written account of Iverson’s life. It tells the story of his cultural and sporting impact but also the impact his success had on him.
No Crossover zooms in on one of the key events of Iverson’s young life and tells a broader story about race in America. It also contains brilliant clips of a young Iverson that demonstrate just what a freakishly talented athlete he was.
The one weakness of both No Crossover and Not a Game is the refusal of Iverson to co-operate with either. While there is a clear attempt at objectivity in both, Iverson’s own voice is missing. His public comments are often contradictory leaving it difficult to ascertain his own thoughts and motives. Iverson fills this gap, and while it lacks objectivity at times, its a good counter-balance to the other two. While it touches on criticism, it’s clearly not a warts and all approach focusing heavily on his basketball career and cultural impact.
As for Iverson himself, I’m left with conflicted emotions. The very fact he achieved so much despite his upbringing and the scapegoating of his trial deserves enormous respect. He is clearly a charismatic and often likeable guy whose talent I greatly enjoyed watching throughout my childhood. The grim details of his post career fall and particularly the aggressive behaviour towards his wife detailed in Not a Game, paint a more complicated picture of a man not quite satisfied in himself despite his successes.
Together both films and the book provide a comprehensive look at all the stages of the life to date of one of the most interesting, exciting, controversial and talented ballers of modern times.
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